Painted by Raphael towards the end of his life La Fornarina is recognised as embodying the essence of Renaissance art which saw a challenge in the representation of the ideally beautiful woman, and by extension, perfect beauty in art.

The portrait's three-quarter-length view is typical of Renaissance portraiture, while the placement of the sitter's arms recalls the Venus pudica (modest Venus) seen in classical sculpture. This pose draws attention to the parts of her body she ostensibly attempts to conceal, intimating both innocence and seduction.

This is regarded as one of Raphael superior works for its virtuoso depiction of female beauty. It is thought to be of his long term model and mistress who was the daughter of a baker hence the title, fornaio is baker in Italian.

If you are fortunate enough to live within driving distance of Indianapolis Museum of Art you can see the original there until June 26th.